न जाने क्या हो गया है तुम्हे देखकर

Lilting tunes are a specialty of this song while it expresses feelings of romantic love.

आजा रे परदेसी

This is a second song I have encountered recently that uses the phrase पंथ निहार to describe the act of waiting for someone by looking at the road on which the expectant person would come. The first one is मेरे जनम मरण के साथी.

ನಾ ನಿನ್ನ ಧ್ಯಾನದೊಳು ಇರಲು ಸದಾ

A devotional composition by ಪುರಂದರದಾಸ.

The lyrics on the web are somewhat conflicting and I have, therefore, not provided any links to transliterations and have provided my own transliteration from listening to Bhimsen Joshi's rendering.

Another ♫दरबारी कानडा feast.

मेरे जनम मरण के साथी

A devotional बंदिश, a Meera Bhajan, composed by Meera Bai, a 16th century, famous, devotee of Lord Krishna. Another ♫दरबारी कानडा feast.

तुम ही हो

Nice melody. Declaration of love.

मेहँदी है रचनेवाली, हाथों में गहरी लाली

The video you see is an illustration of how to dance to the song, by the famous Bollywood choreographer Saroj Khan. It is sung to a new bride — बन्नो — as she prepares herself for the wedding.



The original picturization of the song on Karishma Kapoor, however, has a somewhat different melodrama woven into the song.

देवन के पति इन्द्रा

A lovely composition by Swathi Thirunal that is designed for Raag ♫दरबारी कानडा, as you will note from the line

राग पति कानडा,

and enumerates all the 'head's of various important life's larger-than-life ingredients.

मुहब्बत की झूटी कहानी पे रोये

This song came to my attention when I looked for some Bollywood songs in the raag ♫दरबारी कनाडा. I had just previously blogged on मनो बुद्धि अहंकार by Pt. Jasraj, and you can feel the intensity of the emotion in both the songs, thanks to some unique property of the raag (that I don't know).

मनो बुद्धि अहंकार ...

It is an ecstatic treat to listen to Pt. Jasraj render the निर्वाण षटकम्, written by Adi Shankaracharya. I had occasion to attend The Music that Swami Vivekananda Loved today, on the occasion of the 150th birth anniversary of Swami Vivekananda, where Pt. Jasraj introduced this song as one that Sri Ramakrishna Paramahamsa used to sing, and the one that Swami Vivekananda liked.

मैं शायर तो नहीं

An interesting description how romantic love can trigger other actions. In this case, the poet describes the male lover as having become a poet (शायर), a lover (आशिक), a friend (दोस्त), a respecting (बंदगी) person, etc.

There is a subtle double entendre in this song; for a cursory observer, it might appear that the dancer is the object of the male lover; not so, and he is referring to another girl; this fact becomes evident if you know the story.

Bollywood excels in weaving hummable music into stories somewhat unique to the times.

ಕೃಷ್ಣಾ ನೀ ಬೇಗನೆ ಬಾರೋ

This song is a very popular song in Karnataka, and other parts of India. It captures the cry of a God-seeking person. God is personified as Lord Krishna in this composition.

You will find slight variations in lyrics on the web, but I have provided here my interpretations of Yesudas' rendering.

इन आँखों की मस्ती के

You sometimes hear a song that fleetingly gets your attention, but you really don't pay serious attention to it until you become aware some characteristic the song has. I learnt recently that this song is, for the most part, in raag ♫भूपाली.

I am a student of this raag and, naturally, had to explore its lyrics: Bollywood's lyrics are sometimes amazing.

ಕಲಿಯುಗದಲಿ ಹರಿನಾಮವ ನೆನೆದರೆ

Simple lyrics to remind us — any of us with whatever failings — to recall, reflect and realize God. Purandara Dasa is no match to anyone, when it comes to crafting lyrics that even a layperson can relate to.

[Note: In the MS rendition linked to this post, the second stanza is not presented].

ज्योति कलश छलके

The raag is what attracted to me to the song first, and I subsequently discovered that it celebrates the onset of morning.