A devotional बंदिश, a Meera Bhajan, composed by Meera Bai, a 16th century, famous, devotee of Lord Krishna. Another ♫दरबारी कानडा feast.
Music, when the lyrics describe some purposeful emotion or thought. These posts are in a mix of English/Hindi or English/Kannada pairs. With the advent of Google's transliteration, it is unnecessary to have inconsistent and misleading hand-crafted English transliterations of originals, for Hindi and Kannada in this blog's case. [If a transliteration is required, it can always be produced by software]. Hindustani ragas are shown in Devanagari, e.g., ♫देश; Carnatic, in Kannada, e.g., ♫ಖರಹರಪ್ರಿಯ.
Monday, May 27, 2013
Wednesday, May 22, 2013
Saturday, May 11, 2013
मेहँदी है रचनेवाली, हाथों में गहरी लाली
The video you see is an illustration of how to dance to the song, by the famous Bollywood choreographer Saroj Khan. It is sung to a new bride — बन्नो — as she prepares herself for the wedding.
The original picturization of the song on Karishma Kapoor, however, has a somewhat different melodrama woven into the song.
The original picturization of the song on Karishma Kapoor, however, has a somewhat different melodrama woven into the song.
Labels:
2001,
A R Rahman,
H,
Lover,
Wedding,
अल्का याज्ञिक,
करिश्मा,
जावेद,
ज़ुबैदा
Monday, May 06, 2013
देवन के पति इन्द्रा
A lovely composition by Swathi Thirunal that is designed for Raag ♫दरबारी कानडा, as you will note from the line
राग पति कानडा,
and enumerates all the 'head's of various important life's larger-than-life ingredients.
राग पति कानडा,
and enumerates all the 'head's of various important life's larger-than-life ingredients.
Wednesday, April 24, 2013
मुहब्बत की झूटी कहानी पे रोये
This song came to my attention when I looked for some Bollywood songs in the raag ♫दरबारी कनाडा. I had just previously blogged on मनो बुद्धि अहंकार by Pt. Jasraj, and you can feel the intensity of the emotion in both the songs, thanks to some unique property of the raag (that I don't know).
Labels:
♫,
♫दरबारी कानडा,
1960,
Lover,
Separation,
नौशाद,
मधुबाला,
लता मँ.,
शकील बदायुनी
Saturday, April 20, 2013
मनो बुद्धि अहंकार ...
Saturday, April 13, 2013
मैं शायर तो नहीं
An interesting description how romantic love can trigger other actions. In this case, the poet describes the male lover as having become a poet (शायर), a lover (आशिक), a friend (दोस्त), a respecting (बंदगी) person, etc.
There is a subtle double entendre in this song; for a cursory observer, it might appear that the dancer is the object of the male lover; not so, and he is referring to another girl; this fact becomes evident if you know the story.
Bollywood excels in weaving hummable music into stories somewhat unique to the times.
There is a subtle double entendre in this song; for a cursory observer, it might appear that the dancer is the object of the male lover; not so, and he is referring to another girl; this fact becomes evident if you know the story.
Bollywood excels in weaving hummable music into stories somewhat unique to the times.
Labels:
1973,
Bobby,
Dimple,
H,
Lover,
Shailender,
ऋषि कपूर,
लक्ष्मी-प्यारे
Monday, April 08, 2013
ಕೃಷ್ಣಾ ನೀ ಬೇಗನೆ ಬಾರೋ
This song is a very popular song in Karnataka, and other parts of India. It captures the cry of a God-seeking person. God is personified as Lord Krishna in this composition.
You will find slight variations in lyrics on the web, but I have provided here my interpretations of Yesudas' rendering.
You will find slight variations in lyrics on the web, but I have provided here my interpretations of Yesudas' rendering.
Saturday, April 06, 2013
इन आँखों की मस्ती के
You sometimes hear a song that fleetingly gets your attention, but you really don't pay serious attention to it until you become aware some characteristic the song has. I learnt recently that this song is, for the most part, in raag ♫भूपाली.
I am a student of this raag and, naturally, had to explore its lyrics: Bollywood's lyrics are sometimes amazing.
Saturday, March 30, 2013
Friday, March 29, 2013
Saturday, March 23, 2013
Tuesday, March 12, 2013
Fevicol से
Funny song, with good rhyme crafted by mixing English and Hindi. Fevicol is an adhesive brand available in India; sort of like Krazy Glue in America. The girl suggests that her photo be kept near the chest [of any desirer] safely, by using the Fevicol adhesive (so as to ensure that it will stay put).
Kareena Kapoor is definitely a treat to watch.
'Missed-call' is a concept unique to those parts of the world where mobile operators only charge for outgoing calls; if some one calls you, you don't get charged; and, if the callee misses the call by not answering the call, neither is the caller is charged. This fact, the missed call, can be used as a signal to trigger some action, with prior mutual understanding.
Kareena Kapoor is definitely a treat to watch.
'Missed-call' is a concept unique to those parts of the world where mobile operators only charge for outgoing calls; if some one calls you, you don't get charged; and, if the callee misses the call by not answering the call, neither is the caller is charged. This fact, the missed call, can be used as a signal to trigger some action, with prior mutual understanding.
Sunday, March 03, 2013
अंडे का funda
Funny song, with good rhyme crafted by mixing English and Hindi. Supposedly, to teach the funda[mentals] of the [chicken and the] egg. Funda is a diminutive of the word 'fundamental' that is more frequently seen in usage in Indian college campuses.
पटना (Patna) and बठिंडा (Bathinda) are two cities in India.
पटना (Patna) and बठिंडा (Bathinda) are two cities in India.
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