तेरे बिना ज़िन्दगी से कोई शिकवा

A particular phrase in this song caught my attention as I listened to it recently (I first listened to it when the movie got released, in 1975, when my knowledge of Hindi was a lot more rudimentary than what it is today):

तुम गर साथ हो, मंज़िलों की, कमी तो नहीं

The lyrics describe how a human being can feel empowered in another's presence, a powerful sentiment: "If you are with me, there is no limit to where we can go".

Considerable background to this song is provided in a blog post on the Internet: TERE BINA ZINDAGI SE KOI SHIKWA LYRICS AND TRANSLATION: LET’S LEARN URDU-HINDI

आज जाने की ज़िद न करो

A powerful, and deep, sentiment is expressed in this song. It appears that the female lover is pleading that the lover must not leave ... but, the pleading can be between any two human beings, particularly if the intensity of the sentiment is very strong and deep: ... हाय मर जाएंगे, हम तो लुट जाएंगे ... (I'll die if you leave, I'll be devastated ...)

Lyrics are rendered with almost every word getting its full import by the manner in which it is sung.

आजा रे परदेसी

This is a second song I have encountered recently that uses the phrase पंथ निहार to describe the act of waiting for someone by looking at the road on which the expectant person would come. The first one is मेरे जनम मरण के साथी.

मुहब्बत की झूटी कहानी पे रोये

This song came to my attention when I looked for some Bollywood songs in the raag ♫दरबारी कनाडा. I had just previously blogged on मनो बुद्धि अहंकार by Pt. Jasraj, and you can feel the intensity of the emotion in both the songs, thanks to some unique property of the raag (that I don't know).

ओ साथी रे, तेरे बिना भी क्या जीना?

Male lover sings about how life cannot be without his female lover.

पिया बिना पिया बिना

A female lover sings that separation [from her lover] is unbearable. How much unbearable? Consider the effect of separation:

• Without my lover, the flute is unable to produce good music, my singing seems 'false' or 'incorrect' ...
• Without you, my lover, my world seems empty, the nightingale has remained silent, the peacock has forgotten to 'speak' [in the woods]

When a Lata Mangeshkar sings about the separation, there is a certain relishable quality even to the feeling of separation (for the listener, that is, and not for the person undergoing separation).

What do you say, dear reader?

ಮತ್ತದೇ ಬೇಸರ, ಅದೇ ಸಂಜೆ, ಅದೇ ಏಕಾಂತ

A lover sings in despair, unsure of whether the [other] lover will return. The emotional feeling to be noted here is the singer's belief that, upon the return, the existing lethargy of the mind, and the gripping silence because of the lover's absence, would both be driven away by the lover's arrival.